 Free School for Art Theory and Practice initiated by tranzit.hu
Free School for Art Theory and Practice initiated by tranzit.hu
Seminar with Judith Hopf
December 13-14, 2010
Monday and Thuesday 10 am-5 pm seminar
Thuesday 6 pm sreening and performance
To take part in the seminar send an motivational letter in English to office@tranzitinfo.hu until Dec 10, 2010.
Contract entre les Hommes et l´Ordinateur
In the last 20 years, critical / conceptual art production opened the  filed for new intellectual understandings of art. At the same time  though, an “educational” and “sense-related” tone in text- and image  production seemed to narrow all esthetic processes down to “sense  production” – a move I find not only helpful in the development of  artistic production, since art production is also about letting things  happen in order to find out things we do not
know yet… The seminar is highly inspired by the tradition of texts  dealing with the topic of (political) independence, and especially  concerning Jaques Rancière’s concept of the “Ignorant Schoolmaster”.  Relating to his lectures about intellectual emancipation, I assume that  only “art”; but nothing else, can be taught in the term’s conventional  sense. As a consequence, I want to follow Joseph Jacotot’s thoughts from  1818, interpreted by Jaques Rancière. The main lecture to be learned  from Jacotot is, that knowledge through education is like freedom: It  will not be given, but it has to be taken. I will show some examples of  my own production, reacting to the mentioned issues. We will continue  with films, texts, and artworks that I find productive and fascinating  regarding to the debate around “Knowledge” and “Unknowledge”. Examples  include It, Elinor Glyn, 1927, Miracle in Milan, Vittorio De Sica, 1951,  Performance, Guy de Cointet, 1974 and more…
 
Judith Hopf has a diverse practice that includes the  production of objects and installations, alongside graphic works,  performances, texts and film works. Her topics range from love to  politics and are often developed in cooperation with other artists or  friends. With that emphasis placed on collaboration, her films for  example are characterised by a playfulness that veers between the acting  out of everyday social roles and the choreography of fantastical  impulses. Judith Hopf has exhibited widely, including solo exhibitions  at the Secession in Vienna (2006), Portikus, Frankfurt (2007) and  Badischer Kunstverein, Karlsruhe (2008); her films were presented at  international festivals, most recently at Berliner Filmfestspiele  Berlinale, at ICA London and at Steirischer Herbst, Graz. Hopf is  Professor of Art at the Städelschule, Staatliche Hochschule für Bildende  Kunst, Frankfurt.