Klára Herczeg Award 2010 – Exhibition of András Medve and Tibor Horváth

2010. Dec. 10. | 19:00
 

2010. Dec. 10. | 19:00

Opening: 10th of December 2010. 7 p.m.

Opening speech: Tibor Várnagy and Ákos Siegmund

On view: till 5th of January, 2011,

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on Mondays and Wednesdays between 4-8 p.m.

Location: Labor (1053 Budapest, 6. Képíró Street.)2010. Dec. 10. | 19:00

Opening: 10th of December 2010. 7 p.m.

Opening speech: Tibor Várnagy and Ákos Siegmund

On view: till 5th of January, 2011, on Mondays and Wednesdays between 4-8 p.m.

Location: Labor (1053 Budapest, 6. Képíró Street.)

Contract entre les Hommes et l´Ordinateur – Seminar with Judith Hopf

2010. Dec. 13. | 10:00
 

Free School for Art Theory and Practice initiated by tranzit.hu
Seminar with Judith Hopf

December 13-14, 2010
Monday and Thuesday 10 am-5 pm seminar
Thuesday 6 pm sreening and performance

To take part in the seminar send an motivational letter in English to office@tranzitinfo.hu until Dec 10, 2010.

Contract entre les Hommes et l´Ordinateur

In the last 20 years, critical / conceptual art production opened the filed for new intellectual understandings of art. At the same time though, an “educational” and “sense-related” tone in text- and image production seemed to narrow all esthetic processes down to “sense production” – a move I find not only helpful in the development of artistic production, since art production is also about letting things happen in order to find out things we do not

know yet… The seminar is highly inspired by the tradition of texts dealing with the topic of (political) independence, and especially concerning Jaques Rancière’s concept of the “Ignorant Schoolmaster”. Relating to his lectures about intellectual emancipation, I assume that only “art”; but nothing else, can be taught in the term’s conventional sense. As a consequence, I want to follow Joseph Jacotot’s thoughts from 1818, interpreted by Jaques Rancière. The main lecture to be learned from Jacotot is, that knowledge through education is like freedom: It will not be given, but it has to be taken. I will show some examples of my own production, reacting to the mentioned issues. We will continue with films, texts, and artworks that I find productive and fascinating regarding to the debate around “Knowledge” and “Unknowledge”. Examples include It, Elinor Glyn, 1927, Miracle in Milan, Vittorio De Sica, 1951, Performance, Guy de Cointet, 1974 and more…

Judith Hopf has a diverse practice that includes the production of objects and installations, alongside graphic works, performances, texts and film works. Her topics range from love to politics and are often developed in cooperation with other artists or friends. With that emphasis placed on collaboration, her films for example are characterised by a playfulness that veers between the acting out of everyday social roles and the choreography of fantastical impulses. Judith Hopf has exhibited widely, including solo exhibitions at the Secession in Vienna (2006), Portikus, Frankfurt (2007) and Badischer Kunstverein, Karlsruhe (2008); her films were presented at international festivals, most recently at Berliner Filmfestspiele Berlinale, at ICA London and at Steirischer Herbst, Graz. Hopf is Professor of Art at the Städelschule, Staatliche Hochschule für Bildende Kunst, Frankfurt.

Studio Prize-Winners 2009

2010. Nov. 23. | 19:00
 

Presentation of György Orbán, Miklós Surányi and Péter Szabó

23, November, 2010, 7pm •  György Orbán
24, November, 2010, 7 pm • Péter Szabó
25, November, 2010, 7 pm •  Miklós Surányi

Since 2000 the Studio Prize is won every year by SYAA members, who according to an independent and professional jury -adjured year by year to award the prize – produced especially outstanding achievements, and intensely influence the Hungarian scene of fine arts through their international successes and participations in group exhibitions. In 2009 by the decision of the jury of four (Balázs Beöthy artist, Áron Fenyvesi curator, Zsuzsa László curator, Pál Szacsva y artist) the Studio Prize is won divided by György Orbán, Miklós Surányi and Péter Szabó.

(Magyar) Hogy nektek mi ebből a jó? Nekem jó lesz… Kobalov kiállítása

2010. Nov. 21. | 16:00
 

The Anatomy of a Street: Researching and shaping post-socialist urban space

2010. Nov. 7. | 14:00
 

Art, architecture and civil initiatives in Central and Eastern Europe

An event by the KÉK – Hungarian Contemporary Architecture Centre, the Moholy-Nagy University of Art and Design and the Budapest University of Technology

In the past decades, political, economic, social and cultural changes in Central and Eastern Europe also led to an important transformation of cities. The region’s cities have struggled with similar problems and have often faced the same challenges. However, there is no sufficient exchange of experiences between these cities; this is the gap KÉK’s event is devoted to bridge. There has been many institutional answers offered to the dilemmas raised in these cities that have become veritable battlefields of opposing political, economic and social visions. Parallel to that, reflections of post-socialist urban transformation have also began at the intersections of professional, civil and cultural spheres.Cooperations between architects, artists and activists have resulted in numerous innovative and courageous ideas, proposals, projects.

What are the new methods and tools with which the contemporary city can be approached? Where are the junctions between architecture, urbanism, art and activism? What is the role of research and intervention in cultural projects addressing the city? What are the capacities of cultural projects to make pressure on decision-making institutions? The meeting is looking for answers to these questions.

tovább…

Antimédia travelling circus – the fourth station

2010. Nov. 2. | 19:00
 

(Magyar) FKSE Villámrandi

2010. Oct. 19. | 19:00
 

2010. October. 19. | 7 pm

Three artists, one hour

Guests: Balázs Beöthy, Péter Puklus, Péter Szalay

Limitations are given and unavoidable, but they do not necessarily have to be interpreted as constraints. While they delineate boundaries and sometimes truly hinder artistic creativity, they also oftentimes facilitate concentration and the mobilisation of abilities. In our new discussion series, we mark such a limit for our guests; we set the time at 20 minutes. This is how long each guest has for presenting their works in progress and professional issues that are currently important to them. Such time constraints demands focused attention and increased concentration both on the part of the speaker and on the part of the audience – and are resolved by the unfettered discussion which follows the presentations.

B.L.A.N.K. presents!

2010. Aug. 13. | 19:00
 

Blank On Friday the 13th from 19h till 22h opens the presentation of the BLANK collective (Twien (NL), Laut Rosenbaum (NL), & Johan Gustavsson (SE). “BLANK is a new Dutch based collective that in time, strives to create a platform for knowledge, production and exchange

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in an autonomous space, temporarily free from known artistic restraints. “ BLANK will present the results of their artist in residency at Labor.Blank

On Friday the 13th from 19h till 22h opens the presentation of the BLANK collective (Twien (NL), Laut Rosenbaum (NL), & Johan Gustavsson (SE).

“BLANK is a new Dutch based collective that in time, strives to create a platform for knowledge, production and exchange in an autonomous space, temporarily free from known artistic restraints. “

BLANK will present the results of their artist in residency at Labor.

Marina Noronha, Eduardo Guerra: Every man (…)

2010. Jul. 27. | 18:00
 

Summer opening hours

Sorry, this entry is only available in Hungarian

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