The Field of Cultural production

Szerző Pierre Bordieu
Szerkesztő: Randal Johnson
Columbia University Press, 1993

Pierre Bourdieau legfontosabb esszéi irodalom és művészet területén, amelyek a művészeti alkotások megszületését, terjedését és fogyasztását a társadalmi adottságok szerint tárgyalja.

ISBN: 978-0-231-08287-7

Art and Agenda – Political Art and Activism

Szerkesztők: Robert Klanten és Matthias Hübner, Alain Bieber, Pedro Alonzo, Gregor Jansen,

Szerzők: Pedro Alonzo, Alain Bieber, Silke Kron

Gestalten, Berlin 2011.

ISBN: 978-3-89955-342-0Szerkesztők: Robert Klanten és Matthias Hübner, Alain Bieber, Pedro Alonzo, Gregor Jansen,

Szerzők: Pedro Alonzo, Alain Bieber, Silke Kron

Gestalten, Berlin 2011.

ISBN: 978-3-89955-342-0

Dialogues in Public Art

Author: Tom Finkelpearl

The MIT Press Massachusetts, 2001

By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Dialogues in Public Art presents a rich blend of interviews with the people who create and experience public art — from an artist who mounted three bronze sculptures in the South Bronx to the bureaucrat who led the fight to have them removed; from an artist who describes his work as a “cancer” on architecture to a pair of architects who might agree with him; from an artist who formed a coalition to convert twenty-two derelict row houses into an art center/community revitalization project to a young woman who got her life back on track while living in one of the converted houses.The twenty interviews are divided into four parts: Controversies in Public Art, Experiments in Public Art as Architecture and Urban Planning, Dialogues on Dialogue-Based Public Art Projects, and Public Art for Public Health. Tom Finkelpearl’s introductory essay provides a concise overview of changing attitudes toward the city as the site of public art.Interviewees : Vito Acconci, John Ahearn, David Avalos, Rufus L. Chaney, Mel Chin, Douglas Crimp, Paulo Freire, Andrew Ginzel, Linnea Glatt, Louis Hock, Ron Jensen, Kristin Jones, Maya Lin, Rick Lowe, Jackie McLean, Frank Moore, Jagoda Przybylak, Denise Scott Brown, Assata Shakur, Michael Singer, Elizabeth Sisco, Arthur Symes, Mierle Laderman Ukeles, Robert Venturi, Krzysztof Wodiczko

ISBN: 978-0-262-56148-8

Social Works Performing Art, Supporting Public

author: Shannon Jackson

Routledge, 2011.

Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice.

ISBN: 978-0-415-48600-2
ISBN: 978-0-415-48601-9
ISBN: 978-0-203-85289-7

ISBN: 978-0-415-48600-2ISBN: 978-0-415-48601-9ISBN: 978-0-203-85289-7

author: Shannon Jackson

Routledge, 2011.

Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice.

ISBN: 978-0-415-48600-2
ISBN: 978-0-415-48601-9
ISBN: 978-0-203-85289-7

ISBN: 978-0-415-48600-2ISBN: 978-0-415-48601-9ISBN: 978-0-203-85289-7

The Great Sideshow of the Situationist International

The Great Sideshow of the Situationist International (Edward Ball)

In: HINTS: Background Information, 2004, Budapest

Starting From Scratch

Starting From Scratch (Raoul Vaneigem)

In: HINTS: Background Information, 2004. Budapest

Free School for Art Theory and Practice (Reader 1)

    Reader of the first free school at tranzit.hu. The invited lecturers of the Free School were Barabara Steiner, curator and director of the Galerie für Zeitgenössische Kunst at Leipzig as well as Branislav Dimitrijevic Founder and lecturer of the School for History and Theory of Images, Centre for Contemporary Art, Belgrade and Jens Hoffmann, artistic director, Insitute of Contemporary Arts, London. The topic was the curatorial theory and practice and the constructive interplay between curatorial and artistic practice regarding the specificities of the region as dealing with the context of the post-socialism and the role of the public domain.
    • Contextual Plurality: A shoddy Dictatorship. Introduttion to the Hungarian Women’s narratives. (Hadas Miklós)

      The Daughter of the Revolution. (Hadas Miklós – eredeti interjú Hoyer Mária 1998.)

      Blind Spot of the new critical theory Notes on the theory of colonization. (András Edit)

      The Hungarian Patient: Comments ont he „Contemporary Hungarian Art of the 90s” (Berecz Ágnes)

      The Reburial of Imre Nagy: A Symbolic Act of Democratic Transformation in Hungary. (János M. Rainer)

      Foreword (for Poliphony 1993.) (Mészöly Suzanne)

      From Scilence to Poliphony. (Szántó András)

      Political Culture (Körössényi András)

      The Absence of Women’s Movements in Hungary (Neményi Mária)

      Special Section Focus: Public Art in Hungary (Turai Hedvig, szerk, összeáll.)

      Roma Artists int he Gadzho Canon. (Timea Junghaus)

  • feminism, oral history, colonialism, society, political culture

    Authors: Miklós Hadas, Edit András, Ágnes Berecz, Suzanne Mészöly, András Szántó, András Körössényi, Mária Neményi, Hedvig Turai, Tímea Junghaus, Mária Hoyer, János M. Rainer

Free school of Art Theory and Practice

curatorial texts, postcolonialism, Middle East, Egypt

    Authors: Omnia El Sharky, Hassan Khan, Timothy Mitchell, Sherif el-Azma, Diane Singerman, Paul Amar, Mona Abaza, Eric Denis, Franz Anton, Mark Crinson
    Artistic Sovereignity in the Shadow of Post-Socialism: Egypt’s 20th Annual Youth Salon. (Omnia El Sharky) Rant. (Hassan Khan) Colonising Egypt. (Timothy Mitchell) Psychogeography of the viagra of the amazon Loose Association. (Sherif el-Azma) Cairo Cosmopolitan, Politics, Culture and Urban Space in the New Globalized Middle East. (Diane Singerman, Paul Amar) “Egyptanizing canada pharmacy school requirements the American Dream: Nasr City’s shopping malls, public order and the privatized mitlitary” (Mona Abaza) “Cairo as neo-liberal capital? From walled city to gated-communities”. (Eric Denis) Wretched of the Earth. (Franz Anton) “Fragments of Collapsing Space”, Postcolonial viagra cost on prescription Theory and Contemporary Art, A Companion to Contemporary Art Since 1945. (Mark Crinson)
    The Reader is made of the texts of the free school of tranzit.hu of 27-29 November 2009. Title: Practicisin Pragmatics. Conductor: HamzaMolnár curatorial group.

curatorial texts, postcolonialism, Middle East, Egypt

    Authors: Omnia El Sharky, Hassan Khan, Timothy Mitchell, Sherif el-Azma, Diane Singerman, Paul Amar, Mona Abaza, Eric Denis, Franz Anton, Mark Crinson
    Artistic Sovereignity in the Shadow of Post-Socialism: Egypt’s 20th Annual Youth Salon. (Omnia El Sharky)

    Rant. (Hassan Khan)

    Colonising Egypt. (Timothy Mitchell)

    Psychogeography of Loose Association. (Sherif el-Azma)

    Cairo Cosmopolitan, Politics, Culture and Urban Space in the New Globalized Middle East. (Diane Singerman, Paul Amar)

    Egyptanizing the American Dream: Nasr City’s shopping malls, public order and the privatized mitlitary” (Mona Abaza)

    Cairo as neo-liberal capital? From walled city to gated-communities”. (Eric Denis)

    Wretched of the Earth. (Franz Anton)

    Fragments of Collapsing Space”, Postcolonial Theory and Contemporary Art, A Companion to Contemporary Art Since 1945. (Mark Crinson)

Free School of Art Theory and Practice (Reader 2)

    A Reader of the Tranzit free school of 2009. January and April. Topic: The Architectures of Discourse Lecturers: Marion von Osten, Ute Meta Bauer.
    curatorial texts, theory, discourse, education, societyAuthors: Marion von Osten, Ute Meta Bauer, Zólyom Franciska, Alexander Alberto, Yvonne P. Doderer, Anika Hausermann, Mark Nash, Sune Nordgren
    Movements towards the Future: The Projekt Migration. (Marion von Osten)

    Stop making Sense. Some reflections on educational reforms. (Marion von Osten)

    Fear Eats the Soul. (Alexander Alberto)

    First Story. (Ute Meta Bauer, Yvonne P. Doderer, Anika Hausermann)

    How to make conflicts productive? Telephone Interview with Ute Meta Bauer by Franciska Zólyom, October 15. 2006.

    The space of Dokumenta. (Ute Meta Bauer)

    The Producers: Contemporary curators in conversation (Ute Meta Bauer, Mark Nash in conversation, chaired by Sune Nordgren)

Free School for Art Theory and Practice

    A reader of The Tranzit Free School of Art Theory and Practice presentig the readings from the years 2006, 2007 and 2008. The invited lecturers of the Free Schools were Barbara Steiner , director of the Galeire für Zeitgenössiche Kunst in Leipzig as well as Chus Martinez, director and curator of the Frankfurter Kunstverein, Dora Garcia, Brussels-based spanish artist, Tirdad Zolgahar Berlin-based curator, and Georg Schölhammer, art critic living in Vienna
    Keywords: curatorial texts, theory, society, politicsAuthors: Michel Foucault, Iritt Rogoff, Immanuel Wallenstein, Alessandro Fontana, Francois Ewald, Arnold I. Davidson, Sabine Grimm, Klaus Ronnenberger, Fran Ilich, Nicholas Lampert, Alessandro Lodovico, Nat Muller, Gregory Sholette
    What is a Theorist? (Iritt Rogoff)

    After Developmentalism and Globalization, What? (Immanuel Wallenstein)

    Foreword (to. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (François Ewald, Alessandro Fontana)

    Introduction . Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Arnold

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    I. Davidson)

    7 January 1976 . In. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Michel Foucault – lecture)

    An invisible history of work. Interview with Sergio Bologna (Sabine Grimm, Klaus Ronnenberger)

    Possibleworlds.org. The bare-life of »(post)-modern« Mexican reality (Fran Ilich)

    Twelve notes on collection and dark matter. (Gregory Scholette)

    Making Art Out of Doors: (A Conversation with Gregory Sholette, by Nicholas Lampert)

    Snip, Snip…Bang, bang: Political Art, Reloaded (Gregory Sholette)

    The way we work on texts. A digital conversation on writing in electronic forms, transcribed onto paper. (Alessandro Lodovico, Nat Muller)

    Swampwalls dark Matter & the Lumpen Army of Art. (Gregory Sholette)

    A reader of The Tranzit Free School of Art Theory and Practice presentig the readings from the years 2006, 2007 and 2008. The invited lecturers of the Free Schools were Barbara Steiner , director of the Galeire für Zeitgenössiche Kunst in Leipzig as well as Chus Martinez, director and curator of the Frankfurter Kunstverein, Dora Garcia, Brussels-based spanish artist, Tirdad Zolgahar Berlin-based curator, and Georg Schölhammer, art critic living in Vienna
    Keywords: curatorial texts, theory, society, politicsAuthors: Michel Foucault, Iritt Rogoff, Immanuel Wallenstein, Alessandro Fontana, Francois Ewald, Arnold I. Davidson, Sabine Grimm, Klaus Ronnenberger, Fran Ilich, Nicholas Lampert, Alessandro Lodovico, Nat Muller, Gregory Sholette
    What is a Theorist? (Iritt Rogoff)

    After Developmentalism and Globalization, What? (Immanuel Wallenstein)

    Foreword (to. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (François Ewald, Alessandro Fontana)

    Introduction . Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Arnold I. Davidson)

    7 January 1976 . In. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Michel Foucault – lecture)

    An invisible history of work. Interview with Sergio Bologna (Sabine Grimm, Klaus Ronnenberger)

    Possibleworlds.org. The bare-life of »(post)-modern« Mexican reality (Fran Ilich)

    Twelve notes on collection and dark matter. (Gregory Scholette)

    Making Art Out of Doors: (A Conversation with Gregory Sholette, by Nicholas Lampert)

    Snip, Snip…Bang, bang: Political Art, Reloaded (Gregory Sholette)

    The way we work on texts. A digital conversation on writing in electronic forms, transcribed onto paper. (Alessandro Lodovico, Nat Muller)

    Swampwalls dark Matter & the Lumpen Army of Art. (Gregory Sholette)