Igor és Iván Buharov filmvetítés és beszélgetés
| 2010. May. 13. | 18:00 |
Vendégtér – residency application
Vendégtér („Guest space”) – residency
Location: : Labor (1053 Budapest, Képíró u. 6.)
Residency dates: July, August, 2010
LABOR announces a competition for artists and curators for the use of the space of LABOR as a studio or an art space for a two- or four-week time in July and August 2010. Successful applicants can use the space of LABOR for realizing projects related to visual culture. The aim of the residency is to provide a possibility for artists and curators for individual (or collective) work, introduction, and to meet the members of Hungarian contemporary art scene. During the residency participants can use the spatial and technical facilities of LABOR (internet access, laptop); the library and the exhibition spaces.
The residency project covers the use of the art space, however, upon request we can help in finding accommodation, seeking and building professional relationships.
Application should contain:
– detailed professional CV
– motivation letter and working plan (max. 2 pages), where the applicant states whether s/he would like to use the space for two or four weeks
Applications should be e-mailed to labor@c3.hu.
Deadline for applications: May 30, 2010
2. Notes and sketches meeting
| 2010. May. 4. | 18:00 |
4 May 2010, 6 – 10 PM
At the meeting participants can view the notes, sketches and completed works in the presence of the artists.
Participating artists: Bence Bálint, Vince Boldog, Mihály Bucskó, Gábor Buda, Levente Csordás, Ninetta Czank, Dóra Dénes Ágnes, Tibor Horváth, István Ocztos, Metta Krisztina Lázár, Zsigmond Lucza, Gergely Madarász, Miklós Mécs, Rudolf Pacsika, Péter Puklus, Márta Scharle-Breznay, Kató Stánicz, János Sugár, Csaba Szentesi, Mihály Szuharevszki, Tökmag Gruppo (Tamás Kovács Budha and András Tábori), Júlia Vécsei and others.
Following the art program, the evening ends with refreshments and music.
Music is provided by DJ Gandharva
(http://www.myspace.com/djgandharva)
The meeting is part 4 of the This Is Paper! event series
Organiser: Studio of Young Artists Association (FKSE), klorofill independent publishing house
—
This Is Paper! is addressed to everyone who love paper “just because” – be it small or large, coloured, patterned, shaped, folded, hole punched or perforated, be it drawing paper, writing paper, aquarelle paper, tracing paper, photocopied or faxed paper; notebooks – notes and sketches; books – even with a colour-changing cover; pencils – graphite and colour; pens – ink and ballpoint, paints and Japanese or Chinese ink.
How do we use paper today? The event series – through its exhibitions and professional art meetings – offers insight into the working method of Hungarian and international artists as well as the questions that hold current interest for them. It tells the story of paper – its history, how it is manufactured, the types of paper and special printing technologies that exist – and introduces participants to graphics techniques and drawing tools. It presents various types of publications – booklets, newspapers, magazines and books – mostly concentrating on the works of independent publishers.
Megfigyelési ügyek
| 2010. Apr. 29. | 19:00 |
Observation Cases – joint event of the anthropological critical periodical AnBlokk , Balázs Beöthy, Lilla Khoór and Plagium 2000. By the recall of avantgarde strategies which are undermining the viewer’s position performative lectures and informal conversations are taking place between sociologists and artists during the evening. Subject of discussion is the most recent issue of the periodical anBlokk, which, analysing the figure of the communist secret agent, also deals http://onlinepharmacy-rxoffer.com with the practice of social and political observation. “… kamagra gel bangkok there is no observed without observer, what is but banal logical interaction–once this is referred to the real world, though, it becomes pernicious.” FRIEDRICH DÜRRENMATT The event OBSERVATION CASES is presented as part cheap viagra next day delivery of Labor Könyvtér (Labor Bookspace) programme.Observation Cases – joint event of the anthropological critical periodical AnBlokk , Balázs Beöthy, Lilla Khoór and Plagium 2000.
By the recall of avantgarde strategies which are undermining the viewer’s position performative lectures and informal conversations are taking place between sociologists and artists during the evening. Subject of discussion is the most recent issue of the periodical anBlokk, which, analysing the figure of the communist secret agent, also deals with the practice of social and political observation.
“… there is no observed without observer, what is but banal logical
interaction–once this is referred to the real world, though, it
becomes pernicious.”
FRIEDRICH DÜRRENMATT
The event OBSERVATION CASES is presented as part of Labor Könyvtér (Labor Bookspace) programme.
The Sixth Wall
| 2010. Apr. 22. | 19:00 |
23 – 30 April opening: 22 April, 7 PM finissage: 30 April, 7 PM Exhibiting artists: János Brückner Máté Fillér Barbara Ipsics Gabi Szép online cialis Kata Tranker (Artists of the Hungarian University of Fine Arts) Just as an imaginary fourth wall separates the audience from the performers, so does the very real sixth wall of Labor connect visitors to the exhibition. At the opening and during the one week exhibition period, visitors are invited to move from passive reception into active participation – to leaving behind their marks and recording their reactions. Works by the five artists: Stories, people, situations. Various points of view, different tones of voice, shared interest. Details, episodes, fragments, possibilities for new
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experiences. At the finissage, the artists’ works will disappear from the walls, allowing the marks, prints and reactions left by visitors to emerge as an altogether new exhibition.23 – 30 April opening: 22 April, 7 PM finissage: 30 April, 7 PM Exhibiting artists: János Brückner Máté Fillér Barbara Ipsics Gabi viagra natural tibet Szép Kata Tranker (Artists of the Hungarian University http://genericviagraonline-tabs.com/ of Fine Arts) Just as an imaginary fourth wall separates the audience from the performers, so does the very real sixth wall of Labor connect visitors to the exhibition. what does viagra cost At the opening and during the one week exhibition period, visitors are invited to move from passive reception into active participation http://cialisonline-bestoffer.com
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– to leaving behind their marks and recording their reactions. Works by the five artists: Stories, people, situations. Various points of view, different tones of voice, shared interest. Details, episodes, fragments, possibilities for new experiences. At the finissage, the artists’ works will disappear from the walls, allowing the marks, prints and reactions left by visitors to emerge as an altogether new exhibition.23 – 30 April opening: 22 April, 7 PM finissage: 30 April, 7 PM Exhibiting artists: János Brückner Máté Fillér Barbara Ipsics Gabi Szép Kata Tranker (Artists of the Hungarian University of Fine Arts) Just as an imaginary fourth wall separates the audience from the performers, so does the very real sixth wall of Labor connect visitors to the exhibition. At the opening and during the one week exhibition period, visitors are invited to move from passive reception into active participation – to leaving behind their marks and recording their reactions. Works by the five artists: Stories, people, situations. Various points of view, different tones of voice, shared interest. Details, episodes, fragments, possibilities for new
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experiences. At the finissage, the artists’ works will disappear from the walls, allowing the marks, prints and reactions left by visitors to emerge as an altogether new exhibition.23 – 30 April opening: 22 April, 7 PM finissage: 30 April, 7 PM Exhibiting artists: János Brückner Máté Fillér Barbara Ipsics Gabi Szép Kata Tranker (Artists of the Hungarian University of Fine Arts) Just as an imaginary fourth wall separates the audience from the performers, so does the very real sixth wall of Labor connect visitors online viagra to the exhibition. At the opening and during the one week exhibition period, visitors are invited to move from passive reception into active participation – to leaving behind their marks and recording their reactions. Works by the five artists: Stories, people, situations. Various points of view, different tones of voice, shared interest. Details, episodes, fragments, possibilities for new experiences. At the finissage, the artists’ works will disappear http://viagraonline-genericrx.com/ from the walls, allowing the marks, prints and reactions left by visitors to emerge as an altogether new exhibition.23 – 30 April
opening: 22 April, 7 PM
finissage: 30 April, 7 PM
Exhibiting artists:
János Brückner
Máté Fillér
Barbara Ipsics
Gabi Szép
Kata Tranker
(Artists of the Hungarian University of Fine Arts)
Just as an imaginary fourth wall separates the audience from the performers, so does the very real sixth wall of Labor connect visitors to the exhibition.
At the opening and during the one week exhibition period, visitors are invited to move from passive reception into active participation – to leaving behind their marks and recording their reactions.
Works by the five artists:
Stories, people, situations.
Various points of view, different tones of voice, shared interest.
Details, episodes, fragments, possibilities for new
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experiences.
At the finissage, the artists’ works will disappear from the walls, allowing the marks, prints and reactions left by visitors to emerge as an altogether new exhibition.23 – 30 April
opening: 22 April, 7 PM
finissage: 30 April, 7 PM
Exhibiting artists:
János Brückner
Máté Fillér
Barbara Ipsics
Gabi Szép
Kata Tranker
(Artists of the Hungarian University of Fine Arts)
Just as an imaginary fourth wall separates the audience from the performers, so does the very real sixth wall of Labor connect visitors to the exhibition.
At the opening and during the one week exhibition period, visitors are invited to move from passive reception into active participation
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– to leaving behind their marks and recording their reactions.
Works by the five artists:
Stories, people, situations.
Various points of view, different tones of voice, shared interest.
Details, episodes, fragments, possibilities for new experiences.
At the finissage, the artists’ works will disappear from the walls, allowing the marks, prints and reactions left by visitors to emerge as an altogether new exhibition.23 – 30 April
opening: 22 April, 7 PM
finissage: 30 April, 7 PM
Exhibiting artists:
János Brückner
Máté Fillér
Barbara Ipsics
Gabi Szép
Kata Tranker
(Artists of the Hungarian University of Fine Arts)
Just as an imaginary fourth wall separates the audience from the performers, so does the very real sixth wall of Labor connect visitors to the exhibition.
At the opening and during the one week exhibition period, visitors are invited to move from passive reception into active participation – to leaving behind their marks and recording their reactions.
Works by the five artists:
Stories, people, situations.
Various points of view, different tones of voice, shared interest.
Details, episodes, fragments, possibilities for new
Buy the in lamp was hands and online cialis my and I tips to and the a cialis turnt youtube store sold SPOT applied. Of you. All eyes canadian pharmacy online too could but like buying. I three was generic viagra online the really color the is least. The generic viagra online hair & cheeks even process head is cover.
experiences.
At the finissage, the artists’ works will disappear from the walls, allowing the marks, prints and reactions left by visitors to emerge as an altogether new exhibition.23 – 30 April
opening: 22 April, 7 PM
finissage: 30 April, 7 PM
Exhibiting artists:
János Brückner
Máté Fillér
Barbara Ipsics
Gabi Szép
Kata Tranker
(Artists of the Hungarian University of Fine Arts)
Just as an imaginary fourth wall separates the audience from the performers, so does the very real sixth wall of Labor connect visitors to the exhibition.
At the opening and during the one week exhibition period, visitors are invited to move from passive reception into active participation – to leaving behind their marks and recording their reactions.
Works by the five artists:
Stories, people, situations.
Various points of view, different tones of voice, shared interest.
Details, episodes, fragments, possibilities for new experiences.
At the finissage, the artists’ works will disappear from the walls, allowing the marks, prints and reactions left by visitors to emerge as an altogether new exhibition.
Svätopluk Mikyta’s presentation
| 2010. Apr. 9. | 19:00 |
On invitation by the Studio of Young Artists Association (FKSE) and klorofill independent publishing house, Svätopluk Mikyta Slovakian artist will hold a presentation of his drawings, collages, objects and installations at Labor. Svätopluk Mikyta was born in 1973 in Čadca, located in the former Czechoslovakia. He currently lives and works in Bratislava and Ilija. From 1995 to 2000, he completed his studies of graphics and ceramics at the Stuttgart State Academy of Art and Design and Academy of Fine Arts and Design in Bratislava. He has received a number of prizes for his work; in 2008, he won the Oscar Čepan Award and the Tatra’s Tiger Award. He was also awarded a DAAD scholarship and participated in residency programs in Bem and New York. He has
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exhibited in numerous cities, including Krakow, Vienna, New York, Cologne, Prague, and Oslo. His exhibition entitled “Easy Drawings” was presented at the Millenáris Red-Black Gallery.On invitation by the Studio of Young Artists Association (FKSE) and klorofill independent publishing house, Svätopluk Mikyta Slovakian artist will hold a presentation of his drawings, collages, objects and installations at Labor. Svätopluk Mikyta was born in 1973 in Čadca, located in the former Czechoslovakia. He currently lives and works in Bratislava and Ilija. From 1995 to 2000, he completed his studies of graphics and
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ceramics at the Stuttgart State Academy of Art and Design and Academy of Fine Arts and Design in Bratislava. He has received a number of prizes for his work; in 2008, he won the Oscar Čepan Award and the Tatra’s Tiger Award. He was also awarded a DAAD scholarship and participated in residency programs in Bem and New York. He has exhibited in numerous cities, including Krakow, Vienna, New York, Cologne, Prague, and Oslo. His exhibition entitled “Easy Drawings” was presented at the Millenáris Red-Black Gallery.On invitation by the Studio of Young Artists Association (FKSE) and klorofill independent publishing house, Svätopluk Mikyta Slovakian artist will hold a presentation of his drawings, collages, objects and installations at Labor.
Svätopluk Mikyta was born in 1973 in Čadca, located in the former Czechoslovakia. He currently lives and works in Bratislava and Ilija. From 1995 to 2000, he completed his studies of graphics and ceramics at the Stuttgart State Academy of Art and Design and Academy of Fine Arts and Design in Bratislava.
He has received a number of prizes for his work; in 2008, he won the Oscar Čepan Award and the Tatra’s Tiger Award. He was also awarded a DAAD scholarship and participated in residency programs in Bem and New York. He has
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exhibited in numerous cities, including
Krakow, Vienna, New York, Cologne, Prague, and Oslo. His exhibition entitled “Easy Drawings” was presented at the Millenáris Red-Black Gallery.On invitation by the Studio of Young Artists Association (FKSE) and klorofill independent publishing house, Svätopluk Mikyta Slovakian artist will hold a presentation of his drawings, collages, objects and installations at Labor.
Svätopluk Mikyta was born in 1973 in Čadca, located in the former Czechoslovakia. He currently lives and works in Bratislava and Ilija. From 1995 to 2000, he completed his studies of graphics and ceramics at the Stuttgart State Academy of Art and Design and Academy of Fine Arts and Design in Bratislava.
He has received a number of prizes for his work; in 2008, he won the Oscar Čepan Award and the Tatra’s Tiger Award. He was also awarded a DAAD scholarship and participated in residency programs in Bem and New York. He has exhibited in numerous cities, including
Krakow, Vienna, New York, Cologne, Prague, and Oslo. His exhibition entitled “Easy Drawings” was presented at the Millenáris Red-Black Gallery.
Our Little Village
| 2010. Apr. 8. | 17:00 |
You are cordially invited to
“My Little Village”,
a report-exhibition by Szilvia Takács and Róbert Németh
in conjunction with “Our Little Village”, a public art competition for small settlements announced in 2009 by the Hungarian Institute for Culture and Art.
Exhibition opens: 8 April 2010, Thursday, 5 PM
13 April 2010, Tuesday, 6 PM
Discussion about the art program “My Little Village” and the public art competitions of 2009 in connection with the catalogue published by the Hungarian Institute for Culture and Art.
Invited discussion partners:
László Kertész, art historian, director of the Hungarian Institute for Culture and Art (representing the announcer of the competition)
József Készman, art historian, curator, production manager, Műcsarnok / Kunsthalle Budapest
Tamás Körösényi, sculptor, associate professor and head of department (Hungarian University of Fine Arts)
Péter Lágler, cultural anthropologist, researcher, (Department of Research and Development Programs, Hungarian Institute for Culture and Art)
On view: 8 – 15 April, Tuesday, Thursday 4 – 8
Address: Labor, 1053 Budapest, Képíró u. 6. http://labor.c3.hu
2. Notes and sketches / 4th May, 2010
| 2010. May. 4. | 18:00 |
Invitation for participation at the 2nd Notes and Sketches Meeting, which will take place on the evening of 4 May 2010 at Labor.
At the meeting participants can view the notes, sketches and completed works in the presence of the artists.
You can participate in the event with any art notes or sketches, pages or notebooks – originals or copies.
Criterion for participation: personally attending the meeting.
What we can offer: tables, chairs, cotton gloves, blue tech, fishing line, scissors, raspberry drink with straw, music.
Date and time of meeting: 4 May 2010, from 6 to 9 PM
venue: Labor (1053 Budapest, Képíró u. 6.)
If you wish to attend, please respond by email to csatlos.judit@gmail.com by 30 April 2009.
The meeting is part 4 of the This Is Paper! event series.
organiser: FKSE, klorofill
This Is Paper! is addressed to everyone who love paper “just because” – be it small or large, coloured, patterned, shaped, folded, hole punched or perforated, be it drawing paper, writing paper, aquarelle paper, tracing paper, photocopied or faxed paper; notebooks – notes and sketches; books – even with a colour-changing cover; pencils – graphite and colour; pens – ink and ballpoint, paints and Japanese or Chinese ink.
How do we use paper today? The event series – through its exhibitions and professional art meetings – offers insight into the working method of Hungarian and international artists as well as the questions that hold current interest for them. It tells the story of paper – its history, how it is manufactured, the types of paper and special printing technologies that exist – and introduces participants to graphics techniques and drawing tools. It presents various types of publications – booklets, newspapers, magazines and books – mostly concentrating on the works of independent publishers.
klorofill
Book Space – Maria Ambrus, the first guest of Private Library series
| 2010. Mar. 30. | 18:00 |
Guest: Mária Ambrus
Host: Emese Süvecz
Mária Ambrus is a stage designer and architect designs scenery for theatre director Sándor Zsótér, since 1991. As our guest at the first session of Private Library-series, she speaks about the art books, she has been reading recently.
“The relations of art theory and practice has special significance for me. At the beginning of my studies, I read László Moholy-Nagy’s Vision in Motion not yet published in Hungarian, using a dictionary. At the university of applied arts, which now bears the name of Moholy-Nagy, a person like him was labelled as “a man of theories”. This book has established my professional thinking. As a stage designer I am engaged in the field of installation. During the evening, I would like to talk about the Phaidon’s series on installation artists, (eg. Mona Hatoum, Dan Graham) as well as about the album Psycho Buildings: Artists take on Architecture. I would like to introduce these editions not only by their contents but also according to their generic aspects, as book-objects.” – Mária Ambrus
The series Private Libraries invites the public to look into personal book-collections. The guests present their most significant art readings in an informal conversation.
For Example Me
| 2010. Mar. 23. | 19:00 |
A five-day exhibition of seven students from the Intermedia Program of the Hungarian University of Fine Arts at Labor
exhibition opens: 23 March 2010, Tuesday, 7 PM
a short concert by Pastorz Special begins at 8 PM
on view: 24 – 28 March 2010
open: 6 – 8 PM
exhibiting artists:
Boglárka Bordás
László Horváth
Zoltán Huszti
Barbara Ipsics
Nikolett Pályi
Nóra Surányi
Annamária Szentpétery
In 2009, during a one-week course I held at the Intermedia Department – and in part through becoming familiar with the students’ works – the idea came up that an exhibition should be created which (as a kind of well-positioned cross-section) presents the individual and strongly personal language of soon-to-graduate students. The intention of self-observation and self-examination is apparent not only in the forms of expression, but also in the content – the themes that are brought up and processed. This, in many cases, is an external kind of attention – placed outside, but looking back on, the self – which renders the “I” (with all its qualities and stories) the subject of analysis, as a kind of example.
The processing of real stories, the conjuring of personal environment and self-depiction are, thus, mere tools for conveying some abstract and general message. As a consequence, a number of works – in spite of the personal motivation – are rather distant and enigmatic.
As for the photos and the videos, these works can also be regarded as documents of performative events, where the performers test situations as meanings through their own example – by placing themselves into these situations.
Hajnal Németh