Free school of Art Theory and Practice

The cialis dosage instructions Reader is made of the texts does viagra work no matter what of the free school of tranzit.hu of 27-29 November 2009. Title: Practicisin Pragmatics. Conductor: HamzaMolnár curatorial group.

curatorial texts, postcolonialism, Middle East, Egypt

Authors: Omnia El Sharky, Hassan Khan, Timothy Mitchell, Sherif el-Azma, Diane Singerman, Paul Amar, Mona Abaza, Eric Denis, Franz Anton, Mark Crinson

Artistic Sovereignity in the Shadow of Post-Socialism: Egypt’s 20^th Annual Youth Salon. (Omnia El Sharky) Rant. (Hassan Khan) Colonising Egypt. (Timothy Mitchell) Psychogeography of the viagra of the amazon Loose Association. (Sherif el-Azma) Cairo Cosmopolitan, Politics, Culture and Urban Space in the New Globalized Middle East. (Diane Singerman, Paul Amar) “Egyptanizing canada pharmacy school requirements the American Dream: Nasr City’s shopping malls, public order and the privatized mitlitary” (Mona Abaza) “Cairo as neo-liberal capital? From walled city to gated-communities”. (Eric Denis) Wretched of the Earth. (Franz Anton) “Fragments of Collapsing Space”, Postcolonial viagra cost on prescription Theory and Contemporary Art, A Companion to Contemporary Art Since 1945. (Mark Crinson)

The Reader is made of the texts of the free school of tranzit.hu of 27-29 November 2009. Title: Practicisin Pragmatics. Conductor: HamzaMolnár curatorial group.

curatorial texts, postcolonialism, Middle East, Egypt

Authors: Omnia El Sharky, Hassan Khan, Timothy Mitchell, Sherif el-Azma, Diane Singerman, Paul Amar, Mona Abaza, Eric Denis, Franz Anton, Mark Crinson

Artistic Sovereignity in the Shadow of Post-Socialism: Egypt’s 20^th Annual Youth Salon. (Omnia El Sharky)

Rant. (Hassan Khan)

Colonising Egypt. (Timothy Mitchell)

Psychogeography of Loose Association. (Sherif el-Azma)

Cairo Cosmopolitan, Politics, Culture and Urban Space in the New Globalized Middle East. (Diane Singerman, Paul Amar)

“Egyptanizing the American Dream: Nasr City’s shopping malls, public order and the privatized mitlitary” (Mona Abaza)

“Cairo as neo-liberal capital? From walled city to gated-communities”. (Eric Denis)

Wretched of the Earth. (Franz Anton)

“Fragments of Collapsing Space”, Postcolonial Theory and Contemporary Art, A Companion to Contemporary Art Since 1945. (Mark Crinson)

Free School of Art Theory and Practice (Reader 2)

A Reader of the Tranzit free school of 2009. January and April. Topic: The Architectures of Discourse Lecturers: Marion von Osten, Ute Meta Bauer.

curatorial texts, theory, discourse, education, societyAuthors: Marion von Osten, Ute Meta Bauer, Zólyom Franciska, Alexander Alberto, Yvonne P. Doderer, Anika Hausermann, Mark Nash, Sune Nordgren

Movements towards the Future: The Projekt Migration. (Marion von Osten)

Stop making Sense. Some reflections on educational reforms. (Marion von Osten)

Fear Eats the Soul. (Alexander Alberto)

First Story. (Ute Meta Bauer, Yvonne P. Doderer, Anika Hausermann)

How to make conflicts productive? Telephone Interview with Ute Meta Bauer by Franciska Zólyom, October 15. 2006.

The space of Dokumenta. (Ute Meta Bauer)

The Producers: Contemporary curators in conversation (Ute Meta Bauer, Mark Nash in conversation, chaired by Sune Nordgren)

Free School for Art Theory and Practice

A reader of The Tranzit Free School of Art Theory and Practice presentig the readings from the years 2006, 2007 and 2008. The invited lecturers of the Free Schools were Barbara Steiner , director of the Galeire für Zeitgenössiche Kunst in Leipzig as well as Chus Martinez, director and curator of the Frankfurter Kunstverein, Dora Garcia, Brussels-based spanish artist, Tirdad Zolgahar Berlin-based curator, and Georg Schölhammer, art critic living in Vienna

Keywords: curatorial texts, theory, society, politicsAuthors: Michel Foucault, Iritt Rogoff, Immanuel Wallenstein, Alessandro Fontana, Francois Ewald, Arnold I. Davidson, Sabine Grimm, Klaus Ronnenberger, Fran Ilich, Nicholas Lampert, Alessandro Lodovico, Nat Muller, Gregory Sholette

What is a Theorist? (Iritt Rogoff)

After Developmentalism and Globalization, What? (Immanuel Wallenstein)

Foreword (to. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (François Ewald, Alessandro Fontana)

Introduction . Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Arnold

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I. Davidson)

7 January 1976 . In. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Michel Foucault – lecture)

An invisible history of work. Interview with Sergio Bologna (Sabine Grimm, Klaus Ronnenberger)

Possibleworlds.org. The bare-life of »(post)-modern« Mexican reality (Fran Ilich)

Twelve notes on collection and dark matter. (Gregory Scholette)

Making Art Out of Doors: (A Conversation with Gregory Sholette, by Nicholas Lampert)

Snip, Snip…Bang, bang: Political Art, Reloaded (Gregory Sholette)

The way we work on texts. A digital conversation on writing in electronic forms, transcribed onto paper. (Alessandro Lodovico, Nat Muller)

Swampwalls dark Matter & the Lumpen Army of Art. (Gregory Sholette)

A reader of The Tranzit Free School of Art Theory and Practice presentig the readings from the years 2006, 2007 and 2008. The invited lecturers of the Free Schools were Barbara Steiner , director of the Galeire für Zeitgenössiche Kunst in Leipzig as well as Chus Martinez, director and curator of the Frankfurter Kunstverein, Dora Garcia, Brussels-based spanish artist, Tirdad Zolgahar Berlin-based curator, and Georg Schölhammer, art critic living in Vienna

Keywords: curatorial texts, theory, society, politicsAuthors: Michel Foucault, Iritt Rogoff, Immanuel Wallenstein, Alessandro Fontana, Francois Ewald, Arnold I. Davidson, Sabine Grimm, Klaus Ronnenberger, Fran Ilich, Nicholas Lampert, Alessandro Lodovico, Nat Muller, Gregory Sholette

What is a Theorist? (Iritt Rogoff)

After Developmentalism and Globalization, What? (Immanuel Wallenstein)

Foreword (to. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (François Ewald, Alessandro Fontana)

Introduction . Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Arnold I. Davidson)

7 January 1976 . In. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Michel Foucault – lecture)

An invisible history of work. Interview with Sergio Bologna (Sabine Grimm, Klaus Ronnenberger)

Possibleworlds.org. The bare-life of »(post)-modern« Mexican reality (Fran Ilich)

Twelve notes on collection and dark matter. (Gregory Scholette)

Making Art Out of Doors: (A Conversation with Gregory Sholette, by Nicholas Lampert)

Snip, Snip…Bang, bang: Political Art, Reloaded (Gregory Sholette)

The way we work on texts. A digital conversation on writing in electronic forms, transcribed onto paper. (Alessandro Lodovico, Nat Muller)

Swampwalls dark Matter & the Lumpen Army of Art. (Gregory Sholette)

From Art history to Visual Culture. Studying the Visual after the Cultural Turn (Reader 3)

visual culture, cultural studies, gender, feminism, colonialism

Authors: Stuart Hall, Homi K. Bhabba, Griselda Pollock, Sherry B. Ortner, Adrian Piper, WEB, Rosler Martha, Anne Marah, Majorice Kramer, Judy Chichago, Pat Mainardi, Judith Stein, Richard Powell, Ralph Ellison, Griselda Pollock, Valerie and Kozloff Jaudon, Susanne Kappeller, Janet Wolf, Lisa Tickner, Borsa, Frida Kahlo, Michele Wallace, Stuart Hall, Hilary Robinson, Kass Banning, Ailbhe, Smyth, Hung Liu, Coco, Fusco, Diane Losche, Jean Fischer, Katy Deepwell, András Edit, Jana Gerzová, Martina Pachmanova, Mila Bredikhina, Andrea Ash, Sally Potter, Judith Willimason, Lisa Tickner, Diana Fuss, Lynda Nead, Rosi Braidotti, Rosemary Betterton, Helen McDonald

New Etnicities. (Stuart Hall)

The other question (Homi K. Bhabba)

Inscriptions in the feminine. (Griselda Pollock)

Is female to male as nature is to culture? (Sherry B. Ortner)

The triple negation of colored women artists. (Adrian Piper)

Consciousness-raising rules. (WEB)

Well, is the personal political? (Rosler Martha)

A theoretical and political context. (Anne Marah)

Some thoughts on feminist art. (Majorice Kramer)

Woman as artist. (Judy Chichago)

A feminine sensibility? (Pat Mainardi)

For a truly feminist art. (Judith Stein)

Re/birth of a nation. (Richard Powell)

The art of Romare Bearden. (Ralph Ellison)

Differencing feminism’s encounter with the canon. (Griselda Pollock)

Art hysterical notions of progress and culture. (Valerie and Kozloff Jaudon)

No matter how unreasonable. (Susanne Kappeller)

On the Road Again: Metaphors of travel in cultural criticism. (Janet Wolf)

Modernist art history: The challenge of feminism. (Lisa Tickner)

Marginalisation and the critical female subject. (Joan Borsa, Frida Kahlo)

Modernism, postmodernism and the problem of the visual in Afro American culture. (Michele Wallace)

Cultural identity and diaspora. (Stuart Hall)

Introvertation. In Feminism-Art-Theory 1968-2000. (Hilary Robinson)

The ties that bind: Here we go again. (Kass Banning)

The floozie in the jacuzzi: The problematics in culture and identity of an Irish woman. (Ailbhe, Smyth)

Five terms, two letters. (Hung Liu)

We wear the mask. (Coco, Fusco)

Reinventing the nude: Fiona Foley’s museology. (Diane Losche)

The syncretic turn. (Jean Fischer)

Cultural knowledge, genealogies and the problem of geo-political location(s) producing ethnocentrism(s) in feminist theory. (Katy Deepwell)

Gender minefield: The heritage of the past, attitudes to feminism in Eastern Europe. (András Edit)

Art and the question of gender in Slovak art. (Jana Gerzová)

The Muzzle: Gender and sexual politics in contemporary Czech art. (Martina Pachmanova)

Representtional practices of women artists in Moscow in the 1990s. (Mila Bredikhina)

Text and subtext: Women sexuality, image and identity in Asian art. (Andrea Ash)

On shows. (Sally Potter)

Images of ’woman’: The photography of Cindy Sherman and others. (Judith Willimason)

Sexuality and/in representation. (Lisa Tickner)

The risk of essence (Diana Fuss)

Framing the female body (Lynda Nead)

Mothers, Monsters and Machines. (Rosi Braidotti)

An intimate distance: Women, artists and the body; Body Horror? Food (and sex and death) in women’s art. (Rosemary Betterton)

Feminism, ambiguity and the ideal; Revisioning the female nude; Gender ambiguity (Helen McDonald)