From Art History to Visual Culture. Studying the Visual after the Cultural Turn (Reader 2)

    Keywords: curatorial texts, theory, postcolonialism, East-Central Europe, Authors: James Herbert, Keith Moxey, W.J.T. Mitchell, Nicholas Mirzoeff, Jacques Derrida, Walter Benjamin, Michel Foucault, Robert Sobieszek, Georg Wilhelm Friedrich Hegel, Jeffrey Scone, Deeplika Bahri, Edward W. Said, Dipesh Chakrabarty, Homi K. Bhabha, Jessica Dubow, Slander L. Gilman, James D. Herbert, Timothy Mitchell, Annie E. Coombres, Homi K. Bhabha, Anthony Kwame, Appiah, Mignolo Walter, Maria Todorova, Lary Wolf, Iver B. Neuman, Alexander Kiossev, Csepeli György, Örkény Antal, Kim Lane.
    Visual culture / Visual studies (James Herbert) Nostalgia for the Real: The troubled relation of art history to visual studies (Keith Moxey) Interdisciplinarity and Visual Culture (W.J.T. Mitchel) Introduction: What is visual culture? (Nicholas Mirzoeff) Injunctions of Marx (Jacques Derrida) ”K”& ”L” (Walter Benjamin) Panopticism (Michel Foucault) Introduction: Photography and the expressive face (Robert Sobieszek) The Spirit of Judaism (Georg Wilhelm Friedrich Hegel) Introduction. In Haunted Media: Electronic presence from telegraphy to television. (Jeffrey Scone) Introduction to Postcolonial Studies (Deeplika Bahri) Introduction. In Orientalism (Edward W. Said) Postcoloniality and the artifice of history: Who speaks of ”Indian” pasts? (Dipesh Chakrabarty) Of mimicry and man: The ambivalence of colonial discourse (Homi K. Bhabha) ”From the view on the world to a point of view in it”: Rethinking sight, space, and the colonial subject” (Jessica Dubow) Black bodies, white bodies: Toward an iconography of female sexuality in late-nineteenth century of art, medicine and literature. (Slander L. Gilman) Passing between art history and postcolonial theory (James D. Herbert) Orientalism and the exhibitionary order (Timothy Mitchell) Inventing the ”postcolonial”: Hybridity and constituency in contemporary curating. (Annie E. Coombres) Double visions (Homi K. Bhabha) Is the post- in the postmodernism the post- in postcolonial? (Anthony Kwame, Appiah) Occidentalism, (post)Coloniality, and (Post)subalterr Rationality (Mignolo Walter) Introduction. The Balkans & The Balkans: Realia Qu’est-ce qu’il y a de hors-texte? (Maria Todorova) Introduction. In Inventing Eastern Europe: The map of civilization and the mind of the Enlightenment. (Lary Wolf) Making regions: Central Europe (Iver B. Neuman) Notes ont he self-colonisin cultures (Alexander Kiossev) Acquid Immune Deficiency Syndrome in Social Sciences in Eastern Europe (Csepeli György, Örkény Antal, Sheppele, Kim Lane)
      Keywords: curatorial texts, theory, postcolonialism, East-Central Europe, Authors: James Herbert, Keith Moxey, W.J.T. Mitchell, Nicholas Mirzoeff, Jacques Derrida, Walter Benjamin, Michel Foucault, Robert Sobieszek, Georg Wilhelm Friedrich Hegel, Jeffrey Scone, Deeplika Bahri, Edward W. Said, Dipesh Chakrabarty, Homi K. Bhabha, Jessica Dubow, Slander L. Gilman, James D. Herbert, Timothy Mitchell, Annie E. Coombres, Homi K. Bhabha, Anthony Kwame, Appiah, Mignolo Walter, Maria Todorova, Lary Wolf, Iver B. Neuman, Alexander Kiossev, Csepeli György, Örkény Antal,  Kim Lane.
      Visual culture / Visual studies (James Herbert)

      Nostalgia for the Real: The troubled relation of art history to visual studies (Keith Moxey)

      Interdisciplinarity and Visual Culture (W.J.T. Mitchel)

      Introduction: What is visual culture? (Nicholas Mirzoeff)

      Injunctions of Marx (Jacques Derrida)

      K”& ”L” (Walter Benjamin)

      Panopticism (Michel Foucault)

      Introduction: Photography and the expressive face (Robert Sobieszek)

      The Spirit of Judaism (Georg Wilhelm Friedrich Hegel)

      Introduction. In Haunted Media: Electronic presence from telegraphy to television. (Jeffrey Scone)

      Introduction to Postcolonial Studies (Deeplika Bahri)

      Introduction. In Orientalism (Edward W. Said)

      Postcoloniality and the artifice of history: Who speaks of ”Indian” pasts? (Dipesh Chakrabarty)

      Of mimicry and man: The ambivalence of colonial discourse (Homi K. Bhabha)

      From the view on the world to a point of view in it”: Rethinking sight, space, and the colonial subject” (Jessica Dubow)

      Black bodies, white bodies: Toward an iconography of female sexuality in late-nineteenth century of art, medicine and literature. (Slander L. Gilman)

      Passing between art history and postcolonial theory (James D. Herbert)

      Orientalism and the exhibitionary order (Timothy Mitchell)

      Inventing the ”postcolonial”: Hybridity and constituency in contemporary curating. (Annie E. Coombres)

      Double visions (Homi K. Bhabha)

      Is the post- in the postmodernism the post- in postcolonial? (Anthony Kwame, Appiah)

      Occidentalism, (post)Coloniality, and (Post)subalterr Rationality (Mignolo Walter)

      Introduction. The Balkans & The Balkans: Realia Qu’est-ce qu’il y a de hors-texte? (Maria Todorova)

      Introduction. In Inventing Eastern Europe: The map of civilization and the mind of the Enlightenment. (Lary Wolf)

      Making regions: Central Europe (Iver B. Neuman)

      Notes ont he self-colonisin cultures (Alexander Kiossev)

      Acquid Immune Deficiency Syndrome in Social Sciences in Eastern Europe (Csepeli György, Örkény Antal, Sheppele, Kim Lane)

      HINTS: Background Infromation

      A Reader from the Photocopied Library. 2004.

      This is the first reader of the projekt maintained by HINTS. Its is to make an collection of art critic texts that with free access, which offers help and background to the interpretation of contemporary art trends. This volume is a collection of texts that are not available in Hungary.

        • situationism, public art, relational aesthetics, cultural studies Authors:
        • Kristine Stiles, Suzanne Lacy, Lillet Breddels, Tom Finkelpearl, Nicholas Borriaud, Mark Hutchinson, Herve Fischer, Fred Forest, Jean-Paul Thénot, Raoul Vaneigem, Edward Ball, Thomas McDonough, Critical Art Ensemble, Jan Swidzinski
          Starting From Scratch (Raoul Vaneigem)The Great Sideshow of the Situationist International (Edward Ball)

          The Derive and Situationist Paris (Thomas McDonough)

          Quotations on Contextual Art (részletek) (Jan Swidzinski)

          Manifest II of the Sociological Art – Methodology and Strategy (Herve Fischer, Fred Forest, Jean-Paul Thénot)

          Four Strategies of Public Art (Mark Hutchinson)

          John Ahearn on the Bronx Bronzes and Happier Tales (Tom Finkelpearl’s interview)

          Relational Aesthetics (parts) (Nicolas Bourriaud)

          Mierle Lederman Ukeles on Maintenance and Sanitation Art (Tom Finkelpearl’s interview)

          Beauty Beats Violence (Lillet Breddels A. Framis munkájáról)

          Debated Territory – Toward a Critical Language of Public Art (Suzanne Lacy)

          Concerning Public Art and „Messianic Time” (Kristine Stiles)

          Critical Art Ensemble Introduction – Digital Resistance

          Critical Art Ensemble Resisting the Bunker (parts)

          The Post Ironic Condition (Gregory Scholette)

          Critical Art Ensemble. Observations on Collective Cultural Action

          Critical Art Ensemble. Utopian Plagaiarism, Hypertextuality, and Electronic Cultural Production (parts)

      • Studies:

      A Reader from the Photocopied Library. 2004.

      This is the first reader of the projekt maintained by HINTS. Its is to make an collection of art critic texts that with free access, which offers help and background to the interpretation of contemporary art trends. This volume is a collection of texts that are not available in Hungary.

        • situationism, public art, relational aesthetics, cultural studies Authors:
        • Kristine Stiles, Suzanne Lacy, Lillet Breddels, Tom Finkelpearl, Nicholas Borriaud, Mark Hutchinson, Herve Fischer, Fred Forest, Jean-Paul Thénot, Raoul Vaneigem, Edward Ball, Thomas McDonough, Critical Art Ensemble, Jan Swidzinski
          Starting From Scratch (Raoul Vaneigem)The Great Sideshow of the Situationist International (Edward Ball)

          The Derive and Situationist Paris (Thomas McDonough)

          Quotations on Contextual Art (részletek) (Jan Swidzinski)

          Manifest II of the Sociological Art – Methodology and Strategy (Herve Fischer, Fred Forest, Jean-Paul Thénot)

          Four Strategies of Public Art (Mark Hutchinson)

          John Ahearn on the Bronx Bronzes and Happier Tales (Tom Finkelpearl’s interview)

          Relational Aesthetics (parts) (Nicolas Bourriaud)

          Mierle Lederman Ukeles on Maintenance and Sanitation Art (Tom Finkelpearl’s interview)

          Beauty Beats Violence (Lillet Breddels A. Framis munkájáról)

          Debated Territory – Toward a Critical Language of Public Art (Suzanne Lacy)

          Concerning Public Art and „Messianic Time” (Kristine Stiles)

          Critical Art Ensemble Introduction – Digital Resistance

          Critical Art Ensemble Resisting the Bunker (parts)

          The Post Ironic Condition (Gregory Scholette)

          Critical Art Ensemble. Observations on Collective Cultural Action

          Critical Art Ensemble. Utopian Plagaiarism, Hypertextuality, and Electronic Cultural Production (parts)

      • Studies:

      Afterall. A Journal of Art, Context and Enquiry.

        The 26th issue of the Jornal Afterall from Spring 2011. This period is the beginning of the co-editorial work kamagra tabletki of Stephanie Smith, which is a result of the journal’s co-opretation with the University of Chichago. http://cialisonline-bestoffer.com/ The journal publishes criticisms and essays focusing on Artist Groups and exhibition.
        The 26th issue of the Jornal Afterall from Spring 2011. This period is the beginning of the co-editorial work of Stephanie Smith, which is a result of the journal’s co-opretation with the University of Chichago. The journal publishes criticisms and essays focusing on Artist Groups and exhibition.

      (Magyar) FKSE villámrandi

      2011. Oct. 20. | 19:00
       

      (Magyar) Kazetta – Lichter Péter és Szécsényi-Nagy Loránd kiállítása

      2011. Oct. 12. | 20:00
       

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