The Great Sideshow of the Situationist International
The Great Sideshow of the Situationist International (Edward Ball)
In: HINTS: Background Information, 2004, Budapest
Starting From Scratch
Starting From Scratch (Raoul Vaneigem)
In: HINTS: Background Information, 2004. Budapest
Free School for Art Theory and Practice (Reader 1)
- Reader of the first free school at tranzit.hu. The invited lecturers of the Free School were Barabara Steiner, curator and director of the Galerie für Zeitgenössische Kunst at Leipzig as well as Branislav Dimitrijevic Founder and lecturer of the School for History and Theory of Images, Centre for Contemporary Art, Belgrade and Jens Hoffmann, artistic director, Insitute of Contemporary Arts, London. The topic was the curatorial theory and practice and the constructive interplay between curatorial and artistic practice regarding the specificities of the region as dealing with the context of the post-socialism and the role of the public domain.
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- Contextual Plurality: A shoddy Dictatorship. Introduttion to the Hungarian Women’s narratives. (Hadas Miklós)
The Daughter of the Revolution. (Hadas Miklós – eredeti interjú Hoyer Mária 1998.)
Blind Spot of the new critical theory Notes on the theory of colonization. (András Edit)
The Hungarian Patient: Comments ont he „Contemporary Hungarian Art of the 90s” (Berecz Ágnes)
The Reburial of Imre Nagy: A Symbolic Act of Democratic Transformation in Hungary. (János M. Rainer)
Foreword (for Poliphony 1993.) (Mészöly Suzanne)
From Scilence to Poliphony. (Szántó András)
Political Culture (Körössényi András)
The Absence of Women’s Movements in Hungary (Neményi Mária)
Special Section Focus: Public Art in Hungary (Turai Hedvig, szerk, összeáll.)
Roma Artists int he Gadzho Canon. (Timea Junghaus)
feminism, oral history, colonialism, society, political culture
Authors: Miklós Hadas, Edit András, Ágnes Berecz, Suzanne Mészöly, András Szántó, András Körössényi, Mária Neményi, Hedvig Turai, Tímea Junghaus, Mária Hoyer, János M. Rainer
Free school of Art Theory and Practice
- The cialis dosage instructions Reader is made of the texts does viagra work no matter what of the free school of tranzit.hu of 27-29 November 2009. Title: Practicisin Pragmatics. Conductor: HamzaMolnár curatorial group.
curatorial texts, postcolonialism, Middle East, Egypt
- Authors: Omnia El Sharky, Hassan Khan, Timothy Mitchell, Sherif el-Azma, Diane Singerman, Paul Amar, Mona Abaza, Eric Denis, Franz Anton, Mark Crinson
- Artistic Sovereignity in the Shadow of Post-Socialism: Egypt’s 20th Annual Youth Salon. (Omnia El Sharky) Rant. (Hassan Khan) Colonising Egypt. (Timothy Mitchell) Psychogeography of the viagra of the amazon Loose Association. (Sherif el-Azma) Cairo Cosmopolitan, Politics, Culture and Urban Space in the New Globalized Middle East. (Diane Singerman, Paul Amar) “Egyptanizing canada pharmacy school requirements the American Dream: Nasr City’s shopping malls, public order and the privatized mitlitary” (Mona Abaza) “Cairo as neo-liberal capital? From walled city to gated-communities”. (Eric Denis) Wretched of the Earth. (Franz Anton) “Fragments of Collapsing Space”, Postcolonial viagra cost on prescription Theory and Contemporary Art, A Companion to Contemporary Art Since 1945. (Mark Crinson)
- The Reader is made of the texts of the free school of tranzit.hu of 27-29 November 2009. Title: Practicisin Pragmatics. Conductor: HamzaMolnár curatorial group.
curatorial texts, postcolonialism, Middle East, Egypt
- Authors: Omnia El Sharky, Hassan Khan, Timothy Mitchell, Sherif el-Azma, Diane Singerman, Paul Amar, Mona Abaza, Eric Denis, Franz Anton, Mark Crinson
- Artistic Sovereignity in the Shadow of Post-Socialism: Egypt’s 20th Annual Youth Salon. (Omnia El Sharky)
Rant. (Hassan Khan)
Colonising Egypt. (Timothy Mitchell)
Psychogeography of Loose Association. (Sherif el-Azma)
Cairo Cosmopolitan, Politics, Culture and Urban Space in the New Globalized Middle East. (Diane Singerman, Paul Amar)
“Egyptanizing the American Dream: Nasr City’s shopping malls, public order and the privatized mitlitary” (Mona Abaza)
“Cairo as neo-liberal capital? From walled city to gated-communities”. (Eric Denis)
Wretched of the Earth. (Franz Anton)
“Fragments of Collapsing Space”, Postcolonial Theory and Contemporary Art, A Companion to Contemporary Art Since 1945. (Mark Crinson)
Free School for Art Theory and Practice
- A reader of The Tranzit Free School of Art Theory and Practice presentig the readings from the years 2006, 2007 and 2008. The invited lecturers of the Free Schools were Barbara Steiner , director of the Galeire für Zeitgenössiche Kunst in Leipzig as well as Chus Martinez, director and curator of the Frankfurter Kunstverein, Dora Garcia, Brussels-based spanish artist, Tirdad Zolgahar Berlin-based curator, and Georg Schölhammer, art critic living in Vienna
- Keywords: curatorial texts, theory, society, politicsAuthors: Michel Foucault, Iritt Rogoff, Immanuel Wallenstein, Alessandro Fontana, Francois Ewald, Arnold I. Davidson, Sabine Grimm, Klaus Ronnenberger, Fran Ilich, Nicholas Lampert, Alessandro Lodovico, Nat Muller, Gregory Sholette
- What is a Theorist? (Iritt Rogoff)
After Developmentalism and Globalization, What? (Immanuel Wallenstein)
Foreword (to. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (François Ewald, Alessandro Fontana)
Introduction . Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Arnold
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I. Davidson)
7 January 1976 . In. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Michel Foucault – lecture)
An invisible history of work. Interview with Sergio Bologna (Sabine Grimm, Klaus Ronnenberger)
Possibleworlds.org. The bare-life of »(post)-modern« Mexican reality (Fran Ilich)
Twelve notes on collection and dark matter. (Gregory Scholette)
Making Art Out of Doors: (A Conversation with Gregory Sholette, by Nicholas Lampert)
Snip, Snip…Bang, bang: Political Art, Reloaded (Gregory Sholette)
The way we work on texts. A digital conversation on writing in electronic forms, transcribed onto paper. (Alessandro Lodovico, Nat Muller)
Swampwalls dark Matter & the Lumpen Army of Art. (Gregory Sholette)
- A reader of The Tranzit Free School of Art Theory and Practice presentig the readings from the years 2006, 2007 and 2008. The invited lecturers of the Free Schools were Barbara Steiner , director of the Galeire für Zeitgenössiche Kunst in Leipzig as well as Chus Martinez, director and curator of the Frankfurter Kunstverein, Dora Garcia, Brussels-based spanish artist, Tirdad Zolgahar Berlin-based curator, and Georg Schölhammer, art critic living in Vienna
- Keywords: curatorial texts, theory, society, politicsAuthors: Michel Foucault, Iritt Rogoff, Immanuel Wallenstein, Alessandro Fontana, Francois Ewald, Arnold I. Davidson, Sabine Grimm, Klaus Ronnenberger, Fran Ilich, Nicholas Lampert, Alessandro Lodovico, Nat Muller, Gregory Sholette
- What is a Theorist? (Iritt Rogoff)
After Developmentalism and Globalization, What? (Immanuel Wallenstein)
Foreword (to. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (François Ewald, Alessandro Fontana)
Introduction . Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Arnold I. Davidson)
7 January 1976 . In. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Michel Foucault – lecture)
An invisible history of work. Interview with Sergio Bologna (Sabine Grimm, Klaus Ronnenberger)
Possibleworlds.org. The bare-life of »(post)-modern« Mexican reality (Fran Ilich)
Twelve notes on collection and dark matter. (Gregory Scholette)
Making Art Out of Doors: (A Conversation with Gregory Sholette, by Nicholas Lampert)
Snip, Snip…Bang, bang: Political Art, Reloaded (Gregory Sholette)
The way we work on texts. A digital conversation on writing in electronic forms, transcribed onto paper. (Alessandro Lodovico, Nat Muller)
Swampwalls dark Matter & the Lumpen Army of Art. (Gregory Sholette)
From Art history to Visual Culture. Studying the Visual after the Cultural Turn (Reader 3)
- visual culture, cultural studies, gender, feminism, colonialism
Authors: Stuart Hall, Homi K. Bhabba, Griselda Pollock, Sherry B. Ortner, Adrian Piper, WEB, Rosler Martha, Anne Marah, Majorice Kramer, Judy Chichago, Pat Mainardi, Judith Stein, Richard Powell, Ralph Ellison, Griselda Pollock, Valerie and Kozloff Jaudon, Susanne Kappeller, Janet Wolf, Lisa Tickner, Borsa, Frida Kahlo, Michele Wallace, Stuart Hall, Hilary Robinson, Kass Banning, Ailbhe, Smyth, Hung Liu, Coco, Fusco, Diane Losche, Jean Fischer, Katy Deepwell, András Edit, Jana Gerzová, Martina Pachmanova, Mila Bredikhina, Andrea Ash, Sally Potter, Judith Willimason, Lisa Tickner, Diana Fuss, Lynda Nead, Rosi Braidotti, Rosemary Betterton, Helen McDonald
- New Etnicities. (Stuart Hall)
The other question (Homi K. Bhabba)
Inscriptions in the feminine. (Griselda Pollock)
Is female to male as nature is to culture? (Sherry B. Ortner)
The triple negation of colored women artists. (Adrian Piper)
Consciousness-raising rules. (WEB)
Well, is the personal political? (Rosler Martha)
A theoretical and political context. (Anne Marah)
Some thoughts on feminist art. (Majorice Kramer)
Woman as artist. (Judy Chichago)
A feminine sensibility? (Pat Mainardi)
For a truly feminist art. (Judith Stein)
Re/birth of a nation. (Richard Powell)
The art of Romare Bearden. (Ralph Ellison)
Differencing feminism’s encounter with the canon. (Griselda Pollock)
Art hysterical notions of progress and culture. (Valerie and Kozloff Jaudon)
No matter how unreasonable. (Susanne Kappeller)
On the Road Again: Metaphors of travel in cultural criticism. (Janet Wolf)
Modernist art history: The challenge of feminism. (Lisa Tickner)
Marginalisation and the critical female subject. (Joan Borsa, Frida Kahlo)
Modernism, postmodernism and the problem of the visual in Afro American culture. (Michele Wallace)
Cultural identity and diaspora. (Stuart Hall)
Introvertation. In Feminism-Art-Theory 1968-2000. (Hilary Robinson)
The ties that bind: Here we go again. (Kass Banning)
The floozie in the jacuzzi: The problematics in culture and identity of an Irish woman. (Ailbhe, Smyth)
Five terms, two letters. (Hung Liu)
We wear the mask. (Coco, Fusco)
Reinventing the nude: Fiona Foley’s museology. (Diane Losche)
The syncretic turn. (Jean Fischer)
Cultural knowledge, genealogies and the problem of geo-political location(s) producing ethnocentrism(s) in feminist theory. (Katy Deepwell)
Gender minefield: The heritage of the past, attitudes to feminism in Eastern Europe. (András Edit)
Art and the question of gender in Slovak art. (Jana Gerzová)
The Muzzle: Gender and sexual politics in contemporary Czech art. (Martina Pachmanova)
Representtional practices of women artists in Moscow in the 1990s. (Mila Bredikhina)
Text and subtext: Women sexuality, image and identity in Asian art. (Andrea Ash)
On shows. (Sally Potter)
Images of ’woman’: The photography of Cindy Sherman and others. (Judith Willimason)
Sexuality and/in representation. (Lisa Tickner)
The risk of essence (Diana Fuss)
Framing the female body (Lynda Nead)
Mothers, Monsters and Machines. (Rosi Braidotti)
An intimate distance: Women, artists and the body; Body Horror? Food (and sex and death) in women’s art. (Rosemary Betterton)
Feminism, ambiguity and the ideal; Revisioning the female nude; Gender ambiguity (Helen McDonald)
HINTS: Background Infromation
A Reader from the Photocopied Library. 2004.
This is the first reader of the projekt maintained by HINTS. Its is to make an collection of art critic texts that with free access, which offers help and background to the interpretation of contemporary art trends. This volume is a collection of texts that are not available in Hungary.
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- situationism, public art, relational aesthetics, cultural studies Authors:
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- Kristine Stiles, Suzanne Lacy, Lillet Breddels, Tom Finkelpearl, Nicholas Borriaud, Mark Hutchinson, Herve Fischer, Fred Forest, Jean-Paul Thénot, Raoul Vaneigem, Edward Ball, Thomas McDonough, Critical Art Ensemble, Jan Swidzinski
- Starting From Scratch (Raoul Vaneigem)The Great Sideshow of the Situationist International (Edward Ball)
The Derive and Situationist Paris (Thomas McDonough)
Quotations on Contextual Art (részletek) (Jan Swidzinski)
Manifest II of the Sociological Art – Methodology and Strategy (Herve Fischer, Fred Forest, Jean-Paul Thénot)
Four Strategies of Public Art (Mark Hutchinson)
John Ahearn on the Bronx Bronzes and Happier Tales (Tom Finkelpearl’s interview)
Relational Aesthetics (parts) (Nicolas Bourriaud)
Mierle Lederman Ukeles on Maintenance and Sanitation Art (Tom Finkelpearl’s interview)
Beauty Beats Violence (Lillet Breddels A. Framis munkájáról)
Debated Territory – Toward a Critical Language of Public Art (Suzanne Lacy)
Concerning Public Art and „Messianic Time” (Kristine Stiles)
Critical Art Ensemble Introduction – Digital Resistance
Critical Art Ensemble Resisting the Bunker (parts)
The Post Ironic Condition (Gregory Scholette)
Critical Art Ensemble. Observations on Collective Cultural Action
Critical Art Ensemble. Utopian Plagaiarism, Hypertextuality, and Electronic Cultural Production (parts)
Studies:
A Reader from the Photocopied Library. 2004.
This is the first reader of the projekt maintained by HINTS. Its is to make an collection of art critic texts that with free access, which offers help and background to the interpretation of contemporary art trends. This volume is a collection of texts that are not available in Hungary.
-
- situationism, public art, relational aesthetics, cultural studies Authors:
-
- Kristine Stiles, Suzanne Lacy, Lillet Breddels, Tom Finkelpearl, Nicholas Borriaud, Mark Hutchinson, Herve Fischer, Fred Forest, Jean-Paul Thénot, Raoul Vaneigem, Edward Ball, Thomas McDonough, Critical Art Ensemble, Jan Swidzinski
- Starting From Scratch (Raoul Vaneigem)The Great Sideshow of the Situationist International (Edward Ball)
The Derive and Situationist Paris (Thomas McDonough)
Quotations on Contextual Art (részletek) (Jan Swidzinski)
Manifest II of the Sociological Art – Methodology and Strategy (Herve Fischer, Fred Forest, Jean-Paul Thénot)
Four Strategies of Public Art (Mark Hutchinson)
John Ahearn on the Bronx Bronzes and Happier Tales (Tom Finkelpearl’s interview)
Relational Aesthetics (parts) (Nicolas Bourriaud)
Mierle Lederman Ukeles on Maintenance and Sanitation Art (Tom Finkelpearl’s interview)
Beauty Beats Violence (Lillet Breddels A. Framis munkájáról)
Debated Territory – Toward a Critical Language of Public Art (Suzanne Lacy)
Concerning Public Art and „Messianic Time” (Kristine Stiles)
Critical Art Ensemble Introduction – Digital Resistance
Critical Art Ensemble Resisting the Bunker (parts)
The Post Ironic Condition (Gregory Scholette)
Critical Art Ensemble. Observations on Collective Cultural Action
Critical Art Ensemble. Utopian Plagaiarism, Hypertextuality, and Electronic Cultural Production (parts)
Studies:
Afterall. A Journal of Art, Context and Enquiry.
- The 26th issue of the Jornal Afterall from Spring 2011. This period is the beginning of the co-editorial work kamagra tabletki of Stephanie Smith, which is a result of the journal’s co-opretation with the University of Chichago. http://cialisonline-bestoffer.com/ The journal publishes criticisms and essays focusing on Artist Groups and exhibition.
- The 26th issue of the Jornal Afterall from Spring 2011. This period is the beginning of the co-editorial work of Stephanie Smith, which is a result of the journal’s co-opretation with the University of Chichago. The journal publishes criticisms and essays focusing on Artist Groups and exhibition.