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Új Symposion 1965-1992.

Új Symposion. 1965-1992. Periodical on Art Criticism and Cultural Issues. From 1976 on it is called Periodical on Social Issues, Art Criticism and Cultural Issues. March-April 1971., 71-72. June 1971. July 1971. November 1971. February 1972. June 1972. July-August 1972. 87-88. September 1972. October 1972. January 1973. May-June 1973. 97-98. January

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1974. December 1976. (12th year) January 1977. (13th year) April 1978. (14th year) September 1978. (14th year) May-June 1979. 169-170. (15th year) October 1980. (16th year) November 1980. (16th year) December 1980. (16th year) September 1981. (17th year) March-April 1984. (20th year)Új Symposion. 1965-1992. Periodical on Art Criticism and Cultural Issues.

From 1976 on it is called Periodical on Social Issues, Art Criticism and Cultural Issues.

March-April 1971., 71-72.

June 1971.

July 1971.

November 1971.

February 1972.

June 1972.

July-August 1972. 87-88.

September 1972.

October 1972.

January 1973.

May-June 1973. 97-98.

January 1974.

December 1976. (12th year)

January 1977. (13th year)

April 1978. (14th year)

September 1978. (14th year)

May-June 1979. 169-170. (15th year)

October 1980. (16th year)

November 1980. (16th year)

December 1980. (16th year)

September 1981. (17th year)

March-April 1984. (20th year)

Tags:Culture, késő szocializmus, Kultúra, late-socialism, society, társadalom
Posted in Periodical, Book Space |

Free School for Art Theory and Practice (Reader 1)

Reader of the first free school at tranzit.hu. The invited lecturers of the Free School were Barabara Steiner, curator and director of the Galerie für Zeitgenössische Kunst at Leipzig as well as Branislav Dimitrijevic Founder and lecturer of the School for History and Theory of Images, Centre for Contemporary Art, Belgrade and Jens Hoffmann, artistic director, Insitute of Contemporary Arts, London. The topic was the curatorial theory and practice and the constructive interplay between curatorial and artistic practice regarding the specificities of the region as dealing with the context of the post-socialism and the role of the public domain.

feminism, oral history, colonialism, society, political culture

Authors: Miklós Hadas, Edit András, Ágnes Berecz, Suzanne Mészöly, András Szántó, András Körössényi, Mária Neményi, Hedvig Turai, Tímea Junghaus, Mária Hoyer, János M. Rainer

Tags:András Edit, Berecz Ágnes, colonialism, feminism, feminizmus, Hadas Miklós, János M. Rainer, Junghaus Tímea Hoyer Mária, kolonializmus, Körössényi András, Mészöly Suzanne, Neményi Mária, oral history, political culture, politikai kultúra, society, Szántó András, társadalom, Turai Hedvig
Posted in Book, Book Space |

Free School of Art Theory and Practice (Reader 2)

The Architectures of Discourse

curatorial texts, theory, discourse, education, society

Authors: Marion von Osten, Ute Meta Bauer, Zólyom Franciska, Alexander Alberto, Yvonne P. Doderer, Anika Hausermann, Mark Nash, Sune Nordgren

Movements towards the Future: The Projekt Migration.

Stop making Sense. Some reflections on educational reforms. (Marion von Osten)

Fear Eats the Soul. (Alexander Alberto)

First Story. (Ute Meta Bauer, Yvonne P. Doderer, Anika Hausermann)

How to make conflicts productive? Telephone Interview with Ute Meta Bauer by Franciska Zólyom, October 15. 2006.

The space of Dokumenta. (Ute Meta Bauer)

The Producers: Contemporary curators in conversation (Ute Meta Bauer, Mark Nash in conversation, chaired by Sune Nordgren)

Tags:Alexander Alberto, Anika Hausermann, curatorial texts, discourse, diskurzus, education, elmélet, képzés, Kurátori irodalom, Marion von Osten, Mark Nash, society, Sune Nordgren, társadalom, theory, Ute Meta Bauer, Yvonne P. Doderer, Zólyom Franciska
Posted in Book, Book Space |

Free School for Art Theory and Practice

A reader of The Tranzit Free School of Art Theory and Practice presentig the readings from the years 2006, 2007 and 2008. The invited lecturers of the Free Schools were Barbara Steiner , director of the Galeire für Zeitgenössiche Kunst in Leipzig as well as Chus Martinez, director and curator of the Frankfurter Kunstverein, Dora Garcia, Brussels-based spanish artist, Tirdad Zolgahar Berlin-based curator, and Georg Schölhammer, art critic living in Vienna

Keywords: curatorial texts, theory, society, politics

Authors: Michel Foucault, Iritt Rogoff, Immanuel Wallenstein, Alessandro Fontana, Francois Ewald, Arnold I. Davidson, Sabine Grimm, Klaus Ronnenberger, Fran Ilich, Nicholas Lampert, Alessandro Lodovico, Nat Muller, Gregory Sholette

What is a Theorist?

After Developmentalism and Globalization, What? (Immanuel Wallenstein)

Foreword (to. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (François Ewald, Alessandro Fontana)

Introduction . Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Arnold

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I. Davidson)

7 January 1976 . In. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Michel Foucault – lecture)

An invisible history of work. Interview with Sergio Bologna (Sabine Grimm, Klaus Ronnenberger)

Possibleworlds.org. The bare-life of »(post)-modern« Mexican reality (Fran Ilich)

Twelve notes on collection and dark matter. (Gregory Scholette)

Making Art Out of Doors: (A Conversation with Gregory Sholette, by Nicholas Lampert)

Snip, Snip…Bang, bang: Political Art, Reloaded (Gregory Sholette)

The way we work on texts. A digital conversation on writing in electronic forms, transcribed onto paper. (Alessandro Lodovico, Nat Muller)

Swampwalls dark Matter & the Lumpen Army of Art. (Gregory Sholette)

Keywords: curatorial texts, theory, society, politics

What is a Theorist?

After Developmentalism and Globalization, What? (Immanuel Wallenstein)

Foreword (to. Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (François Ewald, Alessandro Fontana)

Introduction . Michel Foucault, “Society Must Be Defended”. Lectures at the Collége France 1975-76. (Arnold I. Davidson)